Drawing acts : studies in graphic expression and representation / David Rosand.
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Cambridge, UK ; New York :
Cambridge University Press,
2002.
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Table of Contents:
- 1. Criticism, Connoisseurship, and the Phenomenology of Drawing. 1. Ancient Lines. 2. The Desire of the Line. 3. The Phenomenology of Drawing. 4. The Physiognomy of the Line. 5. The Legacy of Connoisseurship. 6. Beyond Connoisseurship
- 2. Disegno: The Invention of an Art. 1. Alberti's Finding. 2. Invenzioni and Invention. 3. Leonardo's Discovery. 4. The Father of the Arts
- 3. The Handwriting of the Self: Leonardo da Vinci. 1. Inscribing the World. 2. A Generation Drawing. 3. Marginalia. 4. Remembered Lines. 5. Drawing and Knowing
- 4. Raphael and the Calligraphy of Classicism. 1. The Circling Hand. 2. Inflected Circles. 3. Linear Grammar/Linear Grace. 4. Connoisseurship of the Line. 5. Penmanship
- 5. Disegni a stampa: The Printed Line. 1. The Hand and the Press. 2. The Line Transformed. 3. The Sketched Plate
- 6. Michelangelo: The Urgent Gesture. 1. Father of the Arts. 2. Drawing for an Other. 3. Making as Meaning. 4. Drawing as Prayer
- 7. Rembrandt's Reach. 1. The Mime of Drawing. 2. The Physiology of Style. 3. The Body in the Landscape
- 8. Capriccio: The Antic Line. 1. Linear Analysis: Hogarth's Serpentine. 2. Col sporcar si trova: Piranesi's Spiral. 3. Invenzione to Capriccio. 4. Story Lines of the Tiepolo. Epilogue: Picasso's Rehearsal.
