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00000nam a2200000 a 4500 |
| 001 |
897945 |
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20050301111600.0 |
| 008 |
010307s2002 enka ab 001 0 eng |
| 010 |
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|a 2001025624
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| 020 |
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|a 052177330X (hbk.)
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| 035 |
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|a (DLC) 2001025624
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| 035 |
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|a 6149923
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| 035 |
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|a (BNAtoc) 2001025624
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| 035 |
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|a (NLNZils)959205
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| 035 |
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|a (OCoLC)46422249
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| 040 |
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|a DLC
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| 042 |
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|a pcc
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| 050 |
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|a NC80
|b .R595 2002
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| 082 |
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|a 741
|2 21
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| 097 |
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|3 Bib#:
|a 897945
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| 100 |
1 |
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|a Rosand, David.
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| 245 |
1 |
0 |
|a Drawing acts :
|b studies in graphic expression and representation /
|c David Rosand.
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| 260 |
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|a Cambridge, UK ;
|a New York :
|b Cambridge University Press,
|c 2002.
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| 300 |
|
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|a xxv, 419 p. :
|b ill. ;
|c 29 cm.
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| 504 |
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|a Includes bibliographical references (p. 389-404) and index.
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| 505 |
0 |
0 |
|g 1.
|t Criticism, Connoisseurship, and the Phenomenology of Drawing.
|g 1.
|t Ancient Lines.
|g 2.
|t The Desire of the Line.
|g 3.
|t The Phenomenology of Drawing.
|g 4.
|t The Physiognomy of the Line.
|g 5.
|t The Legacy of Connoisseurship.
|g 6.
|t Beyond Connoisseurship --
|g 2.
|t Disegno: The Invention of an Art.
|g 1.
|t Alberti's Finding.
|g 2.
|t Invenzioni and Invention.
|g 3.
|t Leonardo's Discovery.
|g 4.
|t The Father of the Arts --
|g 3.
|t The Handwriting of the Self: Leonardo da Vinci.
|g 1.
|t Inscribing the World.
|g 2.
|t A Generation Drawing.
|g 3.
|t Marginalia.
|g 4.
|t Remembered Lines.
|g 5.
|t Drawing and Knowing --
|g 4.
|t Raphael and the Calligraphy of Classicism.
|g 1.
|t The Circling Hand.
|g 2.
|t Inflected Circles.
|g 3.
|t Linear Grammar/Linear Grace.
|g 4.
|t Connoisseurship of the Line.
|g 5.
|t Penmanship --
|g 5.
|t Disegni a stampa: The Printed Line.
|g 1.
|t The Hand and the Press.
|g 2.
|t The Line Transformed.
|g 3.
|t The Sketched Plate --
|g 6.
|t Michelangelo: The Urgent Gesture.
|g 1.
|t Father of the Arts.
|g 2.
|t Drawing for an Other.
|g 3.
|t Making as Meaning.
|g 4.
|t Drawing as Prayer --
|g 7.
|t Rembrandt's Reach.
|g 1.
|t The Mime of Drawing.
|g 2.
|t The Physiology of Style.
|g 3.
|t The Body in the Landscape --
|g 8.
|t Capriccio: The Antic Line.
|g 1.
|t Linear Analysis: Hogarth's Serpentine.
|g 2.
|t Col sporcar si trova: Piranesi's Spiral.
|g 3.
|t Invenzione to Capriccio.
|g 4.
|t Story Lines of the Tiepolo.
|t Epilogue: Picasso's Rehearsal.
|
| 650 |
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0 |
|a Drawing.
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| 650 |
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0 |
|a Drawing
|x Expertising
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| 991 |
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|a 2004-11-05
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| 992 |
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|a Created by anbn, 05/11/2004. Updated by anbn, 01/03/2005.
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| 999 |
f |
f |
|i d9a22a1e-8b7c-5c1e-a801-8a1ae55137ec
|s 2967bcd0-ce76-54ff-a9a0-9ebc4d9328b9
|t 0
|
| 952 |
f |
f |
|p For loan
|a University Of Canterbury
|b UC Libraries
|c Central Library
|d Central Library, Level 6
|t 0
|e NC 80 .R788 2002
|h Library of Congress classification
|i Book
|m AU12021172B
|
