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|a 2001048577
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|a (BNAtoc) 2001048577
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|a (OCoLC)48014465
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|a DLC
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|a pcc
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|a PN1994
|b .F4384 2002
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|a 791.43
|2 21
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| 097 |
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|3 Bib#:
|a 856244
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| 245 |
0 |
4 |
|a The film cultures reader /
|c edited by Graeme Turner.
|
| 260 |
|
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|a London ;
|a New York :
|b Routledge,
|c 2002.
|
| 300 |
|
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|a xx, 524 p. :
|b ill. ;
|c 26 cm.
|
| 504 |
|
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|a Includes bibliographical references (p. [481]-510) and index.
|
| 505 |
0 |
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|t Editor's Introduction /
|r Graeme Turner --
|g Pt. 1.
|t Understanding film --
|t Introduction /
|r Graeme Turner.
|g 1.
|t Texts and their Readings /
|r Tony Bennett and Janet Woollacott.
|g 2.
|t Women's Genres /
|r Annette Kuhn.
|g 3.
|t Paradoxes of Spectatorship /
|r Judith Mayne.
|g 4.
|t Reception Studies in Film and Television /
|r Janet Stalger --
|g Pt. 2.
|t Technologies --
|t Introduction /
|r Graeme Turner.
|g 5.
|t Sound and Colour /
|r Edward Buscombe.
|g 6.
|t Colour and Film Aesthetics /
|r Steve Neale.
|g 7.
|t Lighting for Whiteness /
|r Richard Dyer.
|g 8.
|t A Cry in the Dark: The Role of the Post-Classical Film Sound /
|r Gianiuca Sergi.
|g 9.
|t True Lies: Perceptual Realism, Digital Images and Film Theory /
|r Stephen Prince.
|g 10.
|t The Cyberstar: Digital Pleasures and the End of the Unconscious /
|r Barbara Creed --
|g Pt. 3.
|t Industries --
|t Introduction /
|r Graeme Turner.
|g 11.
|t A National Cinema /
|r Tom O'Regan.
|g 12.
|t British Cinema as National Cinema: Production, Audience and Representation /
|r John Hill.
|g 13.
|t Postmodernism and the End of Hong Kong Cinema /
|r Stephen Teo.
|g 14.
|t The New Hollywood /
|r Thomas Schatz.
|g 15.
|t 'A Major Presence in all the World's Important Markets' : The Globalization of Hollywood in the 1990s /
|r Tino Balio --
|g Pt. 4.
|t Meanings and pleasures --
|t Introduction /
|r Graeme Turner.
|g 16.
|t Monroe and Sexuality: Desirability /
|r Richard Dyer.
|g 17.
|t The Cinematic Apparatus and the Construction of the Film Celebrity /
|r P. David Marshall.
|g 18.
|t Spectators and Spectacles /
|r Jane Feuer.
|g 19.
|t Desire and the Costume Film: Picnic at Hanging Rock, the Age of Innocence, the Piano /
|r Stella Bruzzi.
|g 20.
|t The Terror of Pleasure: The Contemporary Horror Film and Postmodern Theory /
|r Tania Modleski.
|g 21.
|t Genericity in the Nineties: Eclectic Irony and the New Sincerity /
|r Jim Collins --
|g Pt. 5.
|t Identities --
|t Introduction /
|r Graeme Turner.
|g 22.
|t Action Heroines in the 1980s: The Limits of 'Musculinity' /
|r Yvonne Tasker.
|g 23.
|t Your Self Storage: Female Investigation and Male Performativity in the Woman's Psychothriller /
|r Sabrina Barton.
|g 24.
|t The Hypothetical Lesbian Heroine in Narrative Feature Film /
|r Chris Straayer.
|g 25.
|t Can Masculinity be Terminated? /
|r Susan Jeffords.
|g 26.
|t De Margin and De Centre /
|r Isaac Julien and Kobena Mercer.
|g 27.
|t The Imperial Imaginary /
|r Ella Shohat and Robert Stam --
|g Pt. 6.
|t Audiences and consumption --
|t Introduction /
|r Graeme Turner.
|g 28.
|t High Concept and Market Research: Movie Making by the Numbers /
|r Justin Wyatt.
|g 29.
|t Chameleon and Catalyst: The Cinema as an Alternative Public Sphere /
|r Miriam Hansen.
|g 30.
|t Hollywood Cinema: The Great Escape /
|r Jackie Stacey.
|g 31.
|t Watching the Color Purple: Two Interviews /
|r Jacqueline Bobo.
|g 32.
|t 'A Real Shocker': Authenticity, Genre and the Struggle for Distinction /
|r Mark Jancovich.
|
| 650 |
|
0 |
|a Motion pictures.
|
| 700 |
1 |
|
|a Turner, Graeme.
|
| 991 |
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|a 2003-12-22
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| 992 |
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|a Created by vicl, 22/12/2003. Updated by alte, 18/02/2004.
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| 999 |
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|i 3e3b0f5f-b27f-5609-bcc1-4bfc79f3027b
|s cd4c8379-ce6f-5aa4-9cd3-b2138f0f3358
|t 0
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| 952 |
f |
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|p For loan
|a University Of Canterbury
|b UC Libraries
|c Central Library
|d Central Library, Level 4
|t 0
|e PN 1994 .F4878 2002
|h Library of Congress classification
|i Book
|m AU11544880B
|
