Table of Contents:
  • 1. Introduction: parents, bastards and orphans
  • 2. Conrad's 'hopeless' binaries: Heart of Darkness and postcolonial interior journeys
  • 3. 'On England's Desert Island cast away': protean Crusoes, exiled Fridays
  • 4. Reclaiming ghosts, claiming ghosts: Caribbean and Canadian responses to the Brontes
  • 5. Turned upside down? Dickens's Australia and Peter Carey's Jack Maggs
  • 6. Encountering other selves: re-staging The Tempest
  • 7. Removing the black-face: a different 'Othello music'
  • 8. Conclusion and postscript: narrative agency in Pauline Melville's The Ventriloquist's Tale.