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00000cam a22000008a 4500 |
| 001 |
798967 |
| 005 |
20020606082700.0 |
| 008 |
010321s2001 enk b 001 0 eng |
| 010 |
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|a 2001019670
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| 020 |
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|a 0415251737 (hb : alk. paper)
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| 020 |
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|a 0415251745 (pbk. : alk. paper)
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| 035 |
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|a (DLC) 2001019670
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| 035 |
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|a 6231495
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| 035 |
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|a (BNAtoc) 2001019670
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| 035 |
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|a (OCoLC)46729487
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| 040 |
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|a DLC
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| 043 |
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|a n------
|a s------
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|a NX180.P67
|b F87 2001
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| 082 |
0 |
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|a 709/.2
|2 21
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| 097 |
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|3 Bib#:
|a 798967
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| 100 |
1 |
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|a Fusco, Coco
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| 245 |
1 |
4 |
|a The bodies that were not ours :
|b and other writings /
|c Coco Fusco.
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| 260 |
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|a London ;
|a New York :
|b Routledge,
|c 2001.
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| 300 |
|
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|a xx, 252p. :
|b ill. (some col.), ports. ;
|c 25 cm.
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| 504 |
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|a Includes bibliographical references and index.
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| 505 |
0 |
0 |
|g Sect. 1.
|t Borne in Captivity.
|t The bodies that were not ours.
|t Mexarcane International: ethnic talent for export.
|t Better Yet When Dead.
|t The man and the myth: Roger Guenveur Smith as Huey P. Newton, an interview.
|t Captain Shit and other allegories of black stardom: the work of Chris Ofili.
|t Wreaking havoc on the signified: the art of David Hammons.
|t My kind of conversation: the artwork of Daniel J. Martinez.
|t The unbearable weightiness of beings: art in Mexico after NAFTA.
|t Votos (vows): a performance --
|g Sect. 2.
|t Fotonovelas.
|t Paquita [gamma] Chata Se Arrebatan: a collaboration with Nao Bustamante.
|t Pochonovela: pilot for a Chicano soap opera --
|g Sect. 3.
|t Suspended in Transit.
|t Blacks in the metropolis: Isaac Julien on Frantz Fanon, an interview.
|t Rights of Pasage: a performance for South Africa.
|t Stuff co-written with Nao Bustamante.
|t Bad grrl bravado: a conversation with Tracey Moffatt.
|t Hustling for dollars: jineteras in Cuba.
|t Bridge over troubled waters: and view from the bridge four years on.
|t El Ultimo Deseo (the last wish): a performance for Cuba.
|t El Evento Suspendido (the postponed event): a performance for Cuba.
|t Mamas, sistahs and auntie men: Hilton Als and The Women, an interview.
|t Sudaca Enterprises: a collaboration with Juan Pablo Ballester and Maria Elena Escalona.
|t Modernity deferred: the work of Luis Molina-Pantin.
|t At your service: Latin women in the global information network.
|t The Incredible Disappearing Woman: a play in one act --
|g Sect. 4.
|t Other Perspectives.
|t Witness for the prosecution: the writings for Coco Fusco /
|r Jean Fisher.
|t Agency and ambivalence: a reading of works by Coco Fusco /
|r Caroline Vercoe.
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| 600 |
1 |
0 |
|a Fusco, Coco
|x Themes, motives.
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| 650 |
|
0 |
|a Postcolonialism and the arts
|z America.
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| 650 |
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0 |
|a Performance art
|z America.
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| 991 |
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|a 2002-03-21
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| 992 |
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|a Created by anbn, 21/03/2002. Updated by rosyc, 06/06/2002.
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| 999 |
f |
f |
|i a47e1a03-9cf2-55d5-93d5-0d53a3a9d8e5
|s 58ad567a-e660-5554-b499-86c084e06803
|t 0
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| 952 |
f |
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|p For loan
|a University Of Canterbury
|b UC Libraries
|c Central Library
|d Central Library, Level 6
|t 0
|e NX 180 .P67 .F993 2001
|h Library of Congress classification
|i Book
|m AU10393331B
|
