Shakespeare without class : misappropriations of cultural capital / edited by Donald Hedrick and Bryan Reynolds.
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| Published: |
New York :
Palgrave,
2000.
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| Format: | Book |
Table of Contents:
- Shakespace and transversal power / Donald Hedrick and Bryan Reynolds
- Performance and authority in Hamlet (1603) / Robert Weimann
- New York's African Theatre: Shakespeare reinterpreted / William Over
- Vaulting ambitions and killing machines: Shakespeare, Jarry, Ionesco and the Senecan absurd / Curtis Perry
- "What is the city but the people?": transversal performance and radical politics in Shakespeare's Coriolanus and Brecht's Coriolan / Bryan Reynolds
- Sweet, savage Shakespeare / Laurie Osborne
- No holes Bard: homonormativity and the gay and lesbian romance with Romeo and Juliet / Richard Burt
- "Where's the master?": the technologies of the stage, book, and screen in The Tempest and Prospero's books / James Andreas
- Additional dialogue: William Shakespeare, queer allegory, and My own private Idaho / Matt Bergbusch
- Rehearsing the Weird Sisters: the word as fetish in Macbeth / Leslie Katz
- Shakespeare's enduring immorality and the performative turn: toward a transversal pedagogy / Donald Hedrick
- Afterword: Shakespace on Marloan / Julia Reinhard Lupton.
