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500556 |
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19950922000000.0 |
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950413s1994 njua b 001 0 eng |
010 |
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|a 92054668
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020 |
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|a 0838752306 (alk. paper)
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035 |
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|a (upgd41) 92054668
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035 |
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|a (nzNZBN)7738475
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035 |
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|a (OCoLC)27976831
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040 |
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|a DLC
|c DLC
|d DLC
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043 |
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|a e-uk-en
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050 |
0 |
0 |
|a PR658.F33
|b D74 1994
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082 |
0 |
0 |
|a 822.309353
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090 |
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|a PR 658 .F33 .D776
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097 |
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|3 Bib#:
|a 500556
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100 |
1 |
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|a Drew-Bear, Annette.
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245 |
1 |
0 |
|a Painted faces on the Renaissance stage :
|b the moral significance of face-painting conventions /
|c Annette Drew-Bear.
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260 |
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|a Lewisburg :
|b Bucknell University Press ;
|a London :
|b Associated University Presses,
|c c1994.
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300 |
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|a 139 p. :
|b ill ;
|c 24 cm.
|
504 |
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|a Includes bibliographical references (p. 124-133) and index.
|
650 |
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0 |
|a English drama
|y Early modern and Elizabethan, 1500-1600
|x History and criticism.
|
650 |
|
0 |
|a English drama
|y 17th century
|x History and criticism.
|
650 |
|
0 |
|a Face painting in literature.
|
650 |
|
0 |
|a Theatrical makeup
|z England.
|
650 |
|
0 |
|a Literature and morals.
|
650 |
|
0 |
|a Ethics in literature.
|
650 |
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0 |
|a Renaissance
|z England.
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991 |
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|a 1995-09-21
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992 |
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|a Created by , 21/09/1995. Updated by , 22/09/1995.
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999 |
f |
f |
|i 9bf7e1ef-53fb-5b00-b97e-0e0b43f62c49
|s db824106-6571-5508-9343-7d9a9345b2f4
|t 0
|
952 |
f |
f |
|p For loan
|a University Of Canterbury
|b UC Libraries
|c Central Library
|d Central Library, Level 4
|t 0
|e PR 658 .F33 .D776
|h Library of Congress classification
|i Book
|m AU04239237B
|