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230313s2021 xx o ||||0 eng d |
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|3 Bib#:
|a 3244773
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| 020 |
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|a 9783030818692
|q (electronic bk.)
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|a EBC6824255
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|a (OCoLC)1290484022
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|a HM 646
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|a 809.93375
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| 100 |
1 |
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|a Blazan, Sladja.
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| 245 |
1 |
0 |
|a Haunted nature :
|b entanglements of the human and the nonhuman.
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| 264 |
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1 |
|a Cham :
|b Springer International Publishing AG,
|c 2021.
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4 |
|c ©2021.
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| 300 |
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|a 1 online resource (208 pages)
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| 336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 490 |
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|a Palgrave Gothic Ser.
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|a Intro -- Acknowledgments -- Contents -- Notes on Contributors -- List of Figures -- Chapter 1: Haunting and Nature: An Introduction -- Haunting -- Nature -- Anthropocene/Capitalocene/Chthulucene and the Ecogothic -- Trajectory -- Works Cited -- Chapter 2: Microgothic: Microbial Aesthetics of Haunted Nature -- The Origins of the Microgothic -- "All monstrous, all prodigious things": William Heath's "Monster Soup" -- "[P]rofoundly vicious, treacherous and malignant": Mark Twain's Three Thousand Years Among the Microbes -- The Microbiome and Its Epistemological and Aesthetic Challenges in BioArt "And I held it in my hand, the most terrifying of all ills": Anna Dumitriu's The Bacterial Sublime -- Conclusion: The Persistence of the Microgothic -- Works Cited -- Chapter 3: Black Mold, White Extinction: I Am the Pretty Thing That Lives in the House, The Haunting of Hill House, "Gray Matter," and H. P. Lovecraft's "The Shunned House" -- Black Mold and Post-Death Existence -- White Post-Death -- Climate Crisis, Extinction Fears -- Black Growth, White Extinction -- Black Mold, Black Slavery -- Works Cited Chapter 4: Vegetomorphism: Exploring the Material Within the Aesthetics of the EcoGothic in Stranger Things and Annihilation -- The Vegetation Belt -- The Monstrous Root -- Human Phytographia and Vegetomorphism -- Indigenous Roots of Chthonic Monsters in Popular Culture -- Works Cited -- Chapter 5: An Ecology of Abject Women: Frontier Gothicism and Ecofeminism in Shirley Jackson's We Have Always Lived in the Castle -- Introduction: Frontier Realism, Gothic Symbolism, and Ecological Feminism -- Frontier Aesthetics and Ecofeminist Politics in We Have Always Lived in the Castle Conclusion: Haunted Natures in the Twenty-First Century -- Works Cited -- Chapter 6: Alligators in the Living Room: Terror and Horror in the Capitalocene -- Introduction -- (Representing) Capitalocene Violence in the Global North and South -- Gothic and Horror in the Capitalocene: Crawl -- Conclusion -- Works Cited -- Chapter 7: Haunted Technonature: Anthropocene Coloniality in Ng Yi-Sheng's Lion City -- Singapore and Anthropocene Hegemony -- Uncanny Technonature -- Singapore, Crisis, and Environmental Management -- Coloniality and the Capitalocene -- Haunting the Anthropocene Irrealist Aetiologies -- Decolonizing Emergency -- Works Cited -- Chapter 8: Haunted Nature, Haunted Humans: Intelligent Trees, Gaia, and the Apocalypse Meme -- Intelligent Trees and Haunted Nature -- Apocalyptic Endings and Haunted Humans -- Works Cited -- Chapter 9: The Global Poltergeist: COVID-19 Hauntings -- Works Cited -- Index
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| 650 |
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|a Horror tales, American-History and criticism.
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| 650 |
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|a Gothic fiction (Literary genre), American.
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| 650 |
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|a Horror tales, American.
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| 776 |
0 |
8 |
|i Print version:
|a Blazan, Sladja
|t Haunted Nature
|d Cham : Springer International Publishing AG,c2021
|z 9783030818685
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| 830 |
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0 |
|a Palgrave Gothic Ser.
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| 856 |
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0 |
|u https://ebookcentral.proquest.com/lib/canterbury/detail.action?docID=6824255
|y Connect to electronic resource
|t 0
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| 942 |
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|a 14032023
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| 991 |
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|a 2023-03-14
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| 992 |
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|a Created by fiwi, 14/03/2023. Updated by fiwi, 14/03/2023.
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| 999 |
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|i d64f4e70-711e-5e44-b6ee-ef2f6f3cc161
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