Becoming our future : global Indigenous curatorial practice / edited by Dr. Julie Nagam, Carly Lane, Megan Tamati-Quennell.
Zapisane w:
| Wydane: |
Adelaide [South Australia, Australia] :
Art Gallery of South Australia,
2020.
©2020 |
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| Korporacja: | |
| Kolejni autorzy: | |
| Hasła przedmiotowe: | |
| Format: | Książka |
MARC
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| 001 | 3185069 | ||
| 005 | 20220929095900.0 | ||
| 008 | 200903t20202020nz abc g 000 0 eng d | ||
| 020 | |a 9781921668425 |q paperback | ||
| 020 | |a 1921668423 |q paperback | ||
| 035 | |a on1192309646 | ||
| 035 | |a (OCoLC)1192309646 | ||
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| 050 | 4 | |a N408 |b .B43 2020 | |
| 082 | 0 | 4 | |a 708 |2 23 |
| 097 | |3 Bib#: |a 3185069 | ||
| 245 | 0 | 0 | |a Becoming our future : |b global Indigenous curatorial practice / |c edited by Dr. Julie Nagam, Carly Lane, Megan Tamati-Quennell. |
| 264 | 1 | |a Adelaide [South Australia, Australia] : |b Art Gallery of South Australia, |c 2020. | |
| 264 | 1 | |c ©2020 | |
| 300 | |a 240 pages : |b colour illustrations, 1 map, portraits ; |c 26 cm | ||
| 336 | |a text |2 rdacontent | ||
| 336 | |a still image |2 rdacontent | ||
| 337 | |a unmediated |2 rdamedia | ||
| 338 | |a volume |2 rdacarrier | ||
| 504 | |a Includes bibliographical references. | ||
| 505 | 0 | |a Dr Julie Nagam / Holding our ground -- Megan Tamati-Quennell / A portent of our time -- Carly Lane / Curating in Australia -- I: Challenging curatorial ground -- Dr. Jolene Rickard / Returning home: Indigenous art creating the path -- Megan Tamati-Quennell / Gifted, Aboriginal art 1971-2011 -- Jaimie Isaac and Dr. Julie Nagam / Reverberations, vibrations, echoes that invigorate the stone fortress -- Nigel Borell / Curating contemporary Māori art from the margins to the centre -- Carly Lane / The wrong side of colonisation / the right side of now -- II: Indigenous self-determination through curatorial practices -- Nici Cumpston / Through our voice -- Jarita Greyeyes, Dr. Heather Igloliorte, Jaimie Issac and Dr. Julie Nagam / Indigenous collaborations through the gallery as a site for self-determination and social change -- Reuben Friend / He Whare Toi, He Whare Whakaruruhau: creating space for Māori curatorial practice -- Dr. Heather Igloliorte / Curating Inuit Qaujimajtuqangit: Inuit knowledge in the Qallunaat Art Museum -- III: Weaving curatorial dialogues into our collective futures -- Freja Carmichael / Around and within -- Karl Chitham / Lost in translation inspired Indigenous practice and the contemporary art world -- Lisa Myers / Beads need threads -- Kimberley Moulton / Mother tongue: Gertrude contemporary 2018 -- Cathy Mattes in conversation with Daina Warren / Curating, culture and bringing heart home -- Leuli Eshraghi / Caring for our futures (dialogues across the skies with Ioana Gordon-Smith, Kimberley Moulton and Josh Tengan). | |
| 520 | |a Becoming Our Future: Global Indigenous Curatorial Practice reflects on international Indigenous methodologies in curatorial practice from the geographic spaces of Canada, Aotearoa (New Zealand) and Australia to assert specific cultural knowledges, protocols and relationships. These knowledges are grounded in continuous international exchanges and draws on the breadth of work within the field. This volume explores the way Indigenous visual art and culture operates within, and from, a structural framework that is unique to the cultural milieu. Through a selection of contributions by Indigenous curators, artists, and scholars, this book brings together perspectives that define curatorial practices, while simultaneously postulating Indigenous sovereignty and self-determination within the three countries. These compelling essays begin to unearth the connections and historical moments that draw Indigenous curatorial practices together and the differences that set them apart. With contributions from Nigel Borell, Freja Carmichael, Karl Chitham, Nici Cumpston, Dr. Léuli EshrĀghi, Reuben Friend, Jarita Greyeyes, Ioana Gordon-Smith, Dr. Heather Igloliorte, Jaimie Isaac, Cathy Mattes, Kimberley Moulton, Lisa Myers, Dr. Jolene Rickard, Josh Tengan and Daina Warren. | ||
| 650 | 0 | |a Curatorship |z Australia. | |
| 650 | 0 | |a Curatorship |z New Zealand. | |
| 650 | 0 | |a Art, Australian |x Aboriginal Australian influences. | |
| 650 | 0 | |a Art, New Zealand. | |
| 650 | 0 | |a Indigenous art |z Australia. | |
| 650 | 0 | |a Indigenous art |z New Zealand. | |
| 650 | 0 | |a Museums and indigenous peoples |z Canada. | |
| 650 | 0 | |a Museums and indigenous peoples |z New Zealand. | |
| 650 | 0 | |a Museums and indigenous peoples |z Australia. | |
| 650 | 0 | |a Art museums |x Curatorship |z Canada. | |
| 650 | 0 | |a Art museums |x Curatorship |z New Zealand. | |
| 650 | 0 | |a Art museums |x Curatorship |z Australia. | |
| 650 | 0 | |a Indigenous art |z Canada. | |
| 650 | 0 | |a Art, Māori. | |
| 650 | 0 | |a Art, Aboriginal Australian | |
| 700 | 1 | |a Nagam, Julie, |e editor. | |
| 700 | 1 | |a Lane, Carly, |d 1973- |e editor. | |
| 700 | 1 | |a Tamati-Quennell, Megan, |e editor. | |
| 710 | 2 | |a Art Gallery of South Australia. |e issuing body. | |
| 991 | |a 2022-08-30 | ||
| 992 | |a Created by sico, 30/08/2022. Updated by fiwi, 29/09/2022. | ||
| 999 | f | f | |i 936b92c9-103c-51a4-a5a4-260019bfff11 |s b3926a49-3be0-5507-b68f-058f61bc72f0 |t 0 |
| 952 | f | f | |p For loan |a University Of Canterbury |b UC Libraries |c Central Library |d Central Library, Level 6 |t 0 |e N 408 .B398 2020 |h Library of Congress classification |i Book |m AU20487819B |
