|
|
|
|
| LEADER |
00000cam a2200000 a 4500 |
| 001 |
1333037 |
| 005 |
20101102120300.0 |
| 008 |
080520s2008 enka b 000 0 eng d |
| 010 |
|
|
|a 2008491242
|
| 020 |
|
|
|a 1844571769 (pbk.)
|
| 020 |
|
|
|a 9781844571765 (pbk.)
|
| 020 |
|
|
|a 9781844572304 (pbk.)
|
| 020 |
|
|
|a 1844572307 (pbk.)
|
| 020 |
|
|
|a 1844571769
|
| 020 |
|
|
|a 9781844571765
|
| 035 |
|
|
|a 12563726
|
| 035 |
|
|
|a (OCoLC)ocn228425510
|
| 035 |
|
|
|a (OCoLC)228425510
|z (OCoLC)180880500
|z (OCoLC)181927668
|
| 035 |
|
|
|a (OCoLC)228425510
|
| 035 |
|
|
|a (BNAtoc)B7824050
|
| 035 |
|
|
|a (Nz)12563726
|
| 040 |
|
|
|a YDXCP
|c YDXCP
|d DLC
|d UKM
|d BAKER
|d BWK
|d BWX
|d CDX
|d VP@
|d OCoLC
|d DU
|
| 042 |
|
|
|a lccopycat
|
| 050 |
0 |
0 |
|a PN1997.C6442
|b U54 2008
|
| 082 |
0 |
4 |
|a 791.4372
|2 22
|
| 097 |
|
|
|3 Bib#:
|a 1333037
|
| 100 |
1 |
|
|a Ungar, Steven,
|d 1945-
|
| 245 |
1 |
0 |
|a Cléo de 5 à 7 /
|c Steven Ungar.
|
| 246 |
3 |
|
|a Cléo de cinq à sept
|
| 260 |
|
|
|a Houndmills, Basingstoke [England] ;
|a New York :
|b Palgrave Macmillan on behalf of the British Film Institute,
|c 2008.
|
| 300 |
|
|
|a 119 p. :
|b ill. (some col.) ;
|c 19 cm.
|
| 490 |
1 |
0 |
|a BFI film classics
|
| 504 |
|
|
|a Includes bibliographical references (p. 109-117).
|
| 505 |
0 |
0 |
|g Introduction.
|t Sense of Time, Sense of Place --
|t Between photography and film --
|t Absolute beginner? --
|t The pregnant gaze --
|t A film about time and space --
|t By the clock and on the map --
|t Painting Fear Paris --
|t How many Cleos?
|
| 520 |
|
|
|a "Cleo de 5 a 7, Agnes Varda's classic work of 1962 depicts, in near real time, ninety minutes in the life of Cleo, a young woman in Paris awaiting the results of medical tests that she fears will confirm a fatal condition. The film, whose visual beauty matches its evocation of early Fourth Republic Paris, was a major point of reference for the French New Wave despite the fact that Varda, the only major female French director of the period, never considered herself a member of the core Cahiers du Cinema group of critics-turned-filmmakers." "Ungar provides a close reading of the film and situates it in its social, political and cinematic context, tracing Varda's early career as a student of art history and a photographer, the history of post-war French film, and the lengthy Algerian war to which Cleo's health concerns and ambitions to become a pop singer make her more or less oblivious. His study is the first to set a reading of Cleo's formal and technical complexity alongside an analysis of its status as a document of a specific historical moment."--BOOK JACKET.
|
| 600 |
1 |
0 |
|a Varda, Agnès,
|d 1928-
|x Criticism and interpretation.
|
| 630 |
0 |
0 |
|a Cléo de 5 à 7 (Motion picture)
|
| 710 |
2 |
|
|a British Film Institute.
|
| 830 |
|
0 |
|a BFI film classics
|
| 991 |
|
|
|a 2010-09-20
|
| 992 |
|
|
|a Created by sico, 20/09/2010. Updated by alwh, 02/11/2010.
|
| 999 |
f |
f |
|i dd630458-a75a-5a1c-a4c9-db539c2780c2
|s 797b8809-2b91-5882-9bef-6734f50c9f0c
|t 0
|
| 952 |
f |
f |
|p For loan
|a University Of Canterbury
|b UC Libraries
|c Central Library
|d Central Library, Level 4
|t 0
|e PN 1997 .C644 .U57 2008
|h Library of Congress classification
|i Book
|m AU15441946B
|
