|
|
|
|
| LEADER |
00000cam a2200000 i 4500 |
| 001 |
112206 |
| 005 |
19951105000000.0 |
| 008 |
881026s1980 nyu b 000 0 eng |
| 010 |
|
|
|a 77073145
|
| 020 |
|
|
|a 0525087400
|c US$15.95
|
| 020 |
|
|
|a 0525475265 (pbk.)
|
| 035 |
|
|
|a (upgd41) 77073145
|
| 035 |
|
|
|a (nzNZBN)1696925
|
| 035 |
|
|
|a (OCoLC)6186347
|
| 050 |
0 |
0 |
|a PN1995
|b .H44
|
| 082 |
0 |
0 |
|a 791.43015
|
| 090 |
|
|
|a PN 1995 .H496
|
| 097 |
|
|
|3 Bib#:
|a 112206
|
| 100 |
1 |
|
|a Henderson, Brian.
|
| 245 |
1 |
2 |
|a A critique of film theory /
|c by Brian Henderson.
|
| 250 |
|
|
|a 1st ed..
|
| 260 |
|
|
|a New York :
|b Dutton,
|c c1980.
|
| 300 |
|
|
|a xxii, 233 p. ;
|c 22 cm.
|
| 504 |
|
|
|a Includes bibliographical references.
|
| 505 |
0 |
|
|a Contents: Classical film theory: Two types of film theory. The structure of Bazin's thought. The long take. Toward a non-bourgeois camera style. Godard on Godard.--Film semiotics and cine-structuralism: Metz, Essais I and film theory. Segmentation. Film semiotics as semiotics. Critique of cine-structuralism I and II.
|
| 650 |
|
0 |
|a Motion pictures
|x Philosophy.
|
| 740 |
0 |
|
|a Film theory.
|
| 991 |
|
|
|a 1995-08-19
|
| 992 |
|
|
|a Created by , 19/08/1995. Updated by , 05/11/1995.
|
| 999 |
f |
f |
|i c8d7ee91-3a84-5aa7-b71c-a2960edf1211
|s c09d1369-bcce-56ae-aaa9-bb7395de0d63
|t 0
|
| 952 |
f |
f |
|p For loan
|a University Of Canterbury
|b UC Libraries
|c Central Library
|d Central Library, Level 4
|t 0
|e PN 1995 .H496
|h Library of Congress classification
|i Book
|m AU16445201B
|
