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970507s1999 nyua b 001 0 eng |
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|a 97015809
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|a 0195105982 (alk. paper)
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|a (DLC) 97015809
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|a (nzNZBN)10312027
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|9 97015809
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|a 4851098
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|a (Nz)4851098
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|a (OCoLC)36942436
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|a DLC
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|a PN1994
|b .M364 1999
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|a 791.43
|2 21
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| 097 |
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|3 Bib#:
|a 1114753
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|a Film theory and criticism :
|b introductory readings /
|c edited by Leo Braudy, Marshall Cohen.
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| 250 |
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|a 5th ed.
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| 260 |
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|a New York :
|b Oxford University Press,
|c 1999.
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| 300 |
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|a xviii, 861 p. :
|b ill. ;
|c 24 cm.
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| 504 |
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|a Includes bibliographical references and index.
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|g I.
|t Film Language --
|t [On editing] (from Film technique) /
|r Vsevolod Pudovkin -
|t Beyond the shot [The cinematographic principle and the ideogram] &
|t The dramaturgy of film form [The dialectical approach to film form] (from Film form) /
|r Sergei Eisenstein -
|t The evolution of the language of cinema (from What is cinema?) /
|r André Bazin -
|t Toward a non-bourgeois camera style /
|r Brian Henderson -
|t Some points in the semiotics of the cinema & Problems of denotation in the fiction film (from Film language) /
|r Christian Metz -
|t Semiotics and the cinema : Metz and Wollen /
|r Gilbert Harman -
|t The discourse of pictures : inconicity and film studies /
|r Stephen Prince -
|t The tutor-code of classical cinema /
|r Daniel Dayan -
|t Against 'The system of the suture' /
|r William Rothman -
|t [On suture] (from The subject of semiotics) /
|r Kaja Silverman -
|t The spectator-in-the-text : the rhetoric of Stagecoach /
|r Nick Browne --
|g II.
|t Film and Reality --
|t Basic concepts (from Theory of film) /
|r Siegfried Kracauer -
|t The Cabinet of Dr. Galigari (From Caligari to Hitler) /
|r Siegfried Kracauer -
|t The ontology of the photographic image [&]
|t The myth of total cinema [&]
|t De SIca : Metteur-en-scène (from What is cinema?) /
|r André Bazin -
|t The complete film (from Film as art) /
|r Rudolf Arnheim -
|t Cineamatography : the creative use of reality /
|r Maya Deren -
|t From Metaphors on vision /
|r Stan Brakhage -
|t Colonialism, racism and representation : an introduction /
|r Robert Stam and Louise Spence -
|t Recent developments in feminist criticism /
|r Christine Gledhill --
|g III.
|t The Film Medium : image and sound --
|t Style and medium in the motion pictures /
|r Erwin Panofsky -
|t The establishment of physical existence (from Theory of film) /
|r Siegfried Kracauer -
|t The close-up (&) The face of man (from Theory of the film) /
|r Béla Balász -
|t Film and reality [&]
|t The making of a film (from Film as art) /
|r Rudolf Arnheim -
|t The specificity thesis (from Philosophical problems of classical film theory) /
|r Noël Carroll -
|t Project (from Film-Cinema-Movie) /
|r Gerald Mast -
|t Photograph and screen [&]
|t Audience, actor and star [&]
|t Types : cycles as genres [&]
|t Ideas of origin (from The world viewed) /
|r Stanley Cavell -
|t Ideological effects of the basic cinematographic apparatus /
|r Jean-Louis Baudry -
|t Aural objects /
|r Christian Metz -
|t Statement on sound /
|r Sergei Eisenstein, Vsevolod Pudovkin and Grigori Alexandrov -
|t The voice in the cinema : the articulation of body and space /
|r Mary Ann Doan -
|t Technology and aesthetics of film sound /
|r John Belton -
|t Broadcast TV as sound and image (from Visible fictions) /
|r John Ellis --
|g IV.
|t Film Narrative and the other Arts --
|t The means of the photoplay (from The film : a psychological study) /
|r Hugo Münsterberg -
|t Theater and cinema (from What is cinema?) /
|r André Bazin -
|t Acting : stage vs. screen (from The world in a frame) /
|r Leo Braudy -
|t Dickens, Griffith and ourselves (Dickens, Griffith and film today) /
|r Sergei Eisenstein -
|t What novels can do that films can't (and vice versa) /
|r Seymour Chatman -
|t Adaptation (from Concepts in film theory) /
|r Dudly Andrew -
|t Narrative discourse and the narrator system /
|r Tom Gunning -
|t The cinematic narrator (from Coming to terms ) /
|r Seymour Chatman -
|t The concept of cinematic excess /
|r Kristin Thompson -
|t Godard and counter cinema : Vent d'Est /
|r Peter Wollen --
|g V.
|t The Film Artists --
|t Notes on the auteur theory in 1962 /
|r Andrew Sarris -
|t The auteur theory (from Signs and meaning in the cinema) /
|r Peter Wollen -
|t The face of Garbo /
|r Roland Barthes -
|t Stars as a cinematic phenomenon (from Visible fictions) /
|r John Ellis -
|t The role of the star in film history [Joan Crawford] (from Film history : theory and practice) /
|r Robert C. Allen -
|t Female stars of the 1940s (from From reverance to rape) /
|r Molly Haskell -
|t The Mae West nobody knows (from Women and their sexuality in the new film) /
|r Joan Mellen -
|t Valentino and female spectatorship (Pleasure, ambivalence, identification) /
|r Miriam Hansen -
|t 'The whole equation of pictures' (from The genius of the system) /
|r Thomas Schatz --
|g VI.
|t Film Genres --
|t Genre : the conventions of connection (from The world in a frame) /
|r Leo Braudy -
|t A semantic-syntactic approach to film genre /
|r Rick Altman -
|t Film genre and the genre film (from Hollywood genres) /
|r Thomas Schatz -
|t Movie chronicles : the Westerner /
|r Robert Warshow -
|t Ideology, genre, auteur /
|r Robin Wood -
|t The mummy's pool /
|r Bruce Kawin -
|t The terror of pleasure : the contemporary horror film and postmodern theory /
|r Tania Modleski -
|t Film bodies: gender, genre and excess /
|r Linda Williams -
|t The art cinema as a mode of film practice /
|r David Bordwell --
|g VII.
|t Film : Psychology, Society and Ideology --
|t The work of art in the age of mechanical reproduction /
|r Walter Benjamin -
|t Cinema-Ideology-Cricism /
|r Jean-Luc Comolli and Jean Narboni -
|t The appratus : metapsychological approachs to the impression of reality in cinema /
|r Jean-Louis Baudry -
|t Jean-Louis Baudry and 'The apparatus' (from Mystifying movies) /
|r Nöel Carroll -
|t Preface (from Magic and the myth of the movies) /
|r Parker Tyler -
|t Identification, mirror [&] The passion for perceiving [&] Disavowal, fetishism (from The imaginary signifier) /
|r Christian Metz -
|t An aesthetic of astonishment : early film and the (in)credulous spectator /
|r Tom Gunning -
|t Visual pleasure and narrative cinema /
|r Laura Mulvey -
|t Black spectatorship : problems of identification and resistance /
|r Manthia Diawara.
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| 650 |
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|a Motion pictures.
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| 700 |
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|a Braudy, Leo.
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|a Cohen, Marshall.
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|3 Publisher description
|u http://www.loc.gov/catdir/enhancements/fy0639/97015809-d.html
|t 0
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| 856 |
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|3 Table of contents only
|u http://www.loc.gov/catdir/enhancements/fy0639/97015809-t.html
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| 991 |
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|a 2009-02-09
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| 992 |
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|a Created by fiwi, 09/02/2009. Updated by decon, 16/03/2009.
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|i 22e80a60-eebb-5ab7-90a3-96dd545c5ec5
|s 203e198e-ad2c-5cd8-929d-55bf6bf42c69
|t 0
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| 952 |
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|p For loan
|a University Of Canterbury
|b UC Libraries
|c Central Library
|d Central Library, Level 4
|t 0
|e PN 1994 .F487 1999
|h Library of Congress classification
|i Book
|m AU07620373B
|
