Critical perspectives on classicism in Japanese painting, 1600-1700 / edited by Elizabeth Lillehoj.
Zapisane w:
| Wydane: |
Honolulu :
University of Hawai'i Press,
c2004.
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| Kolejni autorzy: | |
| Hasła przedmiotowe: | |
| Format: | Książka |
Spis treści:
- Foreword / Samuel C. Morse
- Introduction / Elizabeth Lillehoj
- Ch. 1. Terminology and Ideology: Coming to Terms with "Classicism" in Japanese Art-Historical Writing / Melanie Trede
- Ch. 2. Tawaraya Sotatsu and the "Yamato-e Revival" / Satoko Tamamushi
- Ch. 3. The Patrons of Tawaraya Sotatsu and Ogata Korin / Keiko Nakamachi
- Ch. 4. Japanese Exemplars for a New Age: Genji Paintings from the Seventeenth-Century Tosa School / Laura W. Allen
- Ch. 5. A New "Classical" Theme: The One Hundred Poets from Elite to Popular Art in the Early Edo Period / Joshua S. Mostow
- Ch. 6. Classical Imagery and Tokugawa Patronage: A Redefinition in the Seventeenth Century / Karen M. Gerhart
- Ch. 7. Uses of the Past: Gion Float Paintings as Instruments of Classicism / Elizabeth Lillehoj
- Afterword / Quitman Eugene Phillips
- Appendix. Artists and schools.
